John williams john etheridge places between san francisco

Better yet, call it a stunning display of the music of the Western Hemisphere. Their speed, their gorgeous tone, their uncanny musical memories not a page of music appeared on the stage , and their ability to play thousands of notes without a single clinker, click or buzz are the stuff of guitar gods…an inspiring concert that celebrated the swooping energy of musical phrases and the irresistible beauty of the sound of two guitars — Milwaukee Journal Sentinel …Sergio and Odair, two of the finest guitarists on the planet.

The phone rings. Tom: Hey, you gotta come down now and hear these guys. Me: Who?? Tom: No, no, no, no, no …… Stop what you are doing and get down here, now! Tom was on a path to becoming one the most celebrated guitar makers of his generation and of the world in general. His apartment, West 72nd Street, 2C, had became a vortex for all things related to the classical guitar. So it was a given that the Assad Brothers would visit Tom. I went down three flights to Tom apartment, as I lived above him in 5C.

I had never heard the classical guitar played in this brilliant manner and certainly never heard a duo remotely on the level of virtuosity and artistry they displayed. The following evening was the actual 92Y concert. In short it was a game changer for all who attended. The audience and we guitarists in general experienced a concert the likes of which we had never before heard. All were completely inspired by the vitality and commitment they gave to the music.

And their technique is a marvel. Odair rapidly distinguished himself as one of the greatest virtuosi of his or any generation. Cimo is dedicated to bringing the beauty of classical guitar to new ears. Legends like Pepe Romero and Ana Vidovic will represent the beautiful tradition of classical guitar and artists such as electric-and-classical guitarist JIJI and flamenco musicians in the Adam Del Monte Trio will represent the evolution of the guitarin the 21st Century.

Both artists will be playing selections from the music of prolific and legendary French guitarist-composer Roland Dyens, who passed away in Dyens appeared numerous times in San Luis Obispo at the festival and was truly a fan favorite. She is known for her beautiful tone, precise technique, well-defined phrasing, and thoughtful artistry and musicianship. She comes from the small town of Karlovac near Zagreb, Croatia, and started playing guitar at the age of 5. At age 7, she gave her first public performance, and by the age of 11, she was performing internationally.

She became the youngest student at age 13 to attend the prestigious National Musical Academy in Zagreb. Vidovic has won an impressive number of prizes and international competitions including first prizes in the Albert Augustine International Competition in Bath, England, the Fernando Sor competition in Rome, Italy, and the Francisco Tarrega competition in Benicasim, Spain.

The LAGQ is comprised of four uniquely accomplished musicians bringing new energy to the concert stage with programs ranging from Bluegrass to Bach. They consistently play to sold-out houses worldwide. Their inventive, critically acclaimed transcriptions of concert masterworks provide a fresh look at the music of the past, while their interpretations of works from the contemporary and world-music realms continually break new ground.

Their programs including Latin, African, Far East, Irish, Folk and American Classics, transport listeners around the world in a single concert experience. Irina Kulikova combines an effortless virtuosity with a profound sensitivity when she is phrasing the voices of great composers. As a recording artist, Ben has released 18 albums. This was beyond beautiful. I was breathless.

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The group toured the U. He plays often for films, such as "The Deerhunter" Cavatina and "A Fish Called Wanda", and also plays tennis badly , badminton average , chess quite good , table tennis better and likes talking about anything. He lives in London. John Etheridge John Etheridge has been at the centre of the UK jazz and progressive music scene for some 45 years, and is very well known for his eclecticism and wide range of musical associations across musical boundaries.

In fact, this Catholic aproach is really the hallmark of his work, although he retains throughout a personal vision which he brings to all projects. His associations have ranged from duos with John Williams to touring with Space Rock legends Hawkwind. From great jazz violinist Stephane Grappelli to jazz fusion pioneers Soft Machine.

Typical of many teenagers of the period. The musical flame never died out however, and although completely self -taught, he managed to establish himself in the musical worlds that he aspired to. Within 2 years of this he was touring concurrently with the great Stephane Grappelli, playing Hot Club style swing Jazz.

These strands, superficially almost musically exclusive, continued for many years, and subsequent output has reflected the diversity of these two situations. He also discovered a taste for solo performance. Then in they launched their duo with which they have toured the world many times over and in they asked Gary Ryan to join them.

Gary Ryan The British guitarist Gary Ryan has performed to international critical acclaim for over twenty years, recently becoming the first guitarist since John Williams in to be awarded a Fellowship of the Royal College of Music in in recognition of his contribution to the instrument. In he graduated with first class honours and many awards, including the Julian Bream Prize for guitar, the John Mundy String Prize and the Dorothy Grinstead Prize for an outstanding all-round musician.

In , at the age of 27, Ryan was then appointed as a Professor of Guitar at the Royal College of Music in London and currently combines a busy performing and composing career with his role there as Assistant Head of Strings. Moult askonasholt. There is a substantial jazz version of God Bless the Child and various pieces coming from a Portuguese-Brazilian nexus.

The arrangements are quite complex, and the ensemble work is very exciting; the Dublin audience picks up on an electricity in the room. The most impressive feature of the playing of Williams and Etheridge is their ability to get different sounds out of their guitars to match the repertoire. This album is, in short, much more than just a quick nod in the direction of exotic traditions; it is an entirely original concept that will appeal to any player in either the classical or jazz fields.

The live sound is unusually good, with even small details saved from the rustle of background noise.